Magical Unicorns at Musée de Cluny

Musée de Cluny opens again after a major renovation with an exhibition on Magical Unicorns from the Middle Ages and later

Aquamanile © Réunion des Musées Nationaux-Grand Palais
Aquamanile © Réunion des Musées Nationaux-Grand Palais

Musée de Cluny is the only museum in Europe, solely dedicated to the Middle Ages. After major renovations, it opens this weekend with an exhibition on magical unicorns

One of the most famous objects preserved in the collections of the Musée de Cluny in Paris are the six Unicorn Tapestries. To celebrate this unique treasure, recently on loan to Sydney, as well as the reopening of the museum after a major renovation, we are treated to a fine exhibition on “Magical Unicorns”.

Costume de la licorne by Jean Cocteau
Costume de la licorne by Jean Cocteau

Throughout history, the mysterious, enigmatic and tantalising unicorns have ignited the fantasy of artists as well as common people. In antiquity, unicorns were considered fabled creatures living in India. It is likely, they were inspired by the rhinoceros. Later, in the Middle Ages, the creature turned into a mythical beast, which featured as the incarnation in an allegory where the animal sees the maiden alias the Virgin Mary and lays its head in her lap and falls asleep. Later, the allegory was extended by French troubadours such as Thibaut de Champagne and Richard de Fourneval, who reworked the myth as a love story, emblematic of chaste love and faithful marriages. One central motive was the entrapment of the unicorn by a virgin. As such, the unicorn entered the emblematic world of heraldry and coats of arms.

In the Middle Ages tusks of narwhals were peddled as horns from the Unicorns and were highly prized. Apart from pieces of art, they were used for cups, as the horns from unicorns were believed to neutralize poison. It was not until the 17thcentury, this myth was publicly punctured by a Danish scientist, Ole Worm.

At the centre of the exhibition, we find the six tapestries from c. 1500, which the Museum acquired in 1882. Discovered in 1841 at the Boussac Castle, they were slowly composting from damp and mould. After careful conservation, though, they were returned to a part of their former glory. This inspired numerous artists as Gustave Moreau and le Corbusier as well as well as a ballet by Jean Cocteau.

The exhibition not only features medieval pieces of art celebrating the Unicorn, but also modern renderings of the myth in the form of paintings, posters, videos and the original costumes created by Cocteau. It ends with a series of five new tapestries by Claude Rutault.

VISIT:

Magiques Licornes
Musée de Cluny
6 place Paul Painlevé 75005 Paris
24.07.2018 – 25.02.2019

Tenture de la Dame à la Licorne
A special website dedicated to the Lady of the Unicorn tapestries

Bestiaire a BnF
La Licorne

READ MORE:

les secrets de la licorne coverLes secrets de la licorne
By Elisabeth Taburet-Delahaye and Michel Pastoureau
RMN-GP 2018

La dame à la licorne
By Elisabeth Taburet-Delahaye and Béatrice de Chancel Bardelots.
RMN-GP 2018

 

 

 

Collection: Musée Gustave Moreau, Paris

Image rights: © RMN-GP / René-Gabriel Ojéda

 

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Minor Medieval News July 2018

Ever so often we stumble on some minor medieval news which does not merit a full article, but nevertheless, deserves a short notice.

J. Paul Getty Museum announces the landmark Acquisition of a Medieval Hebrew Manuscript, the Rothschild Pentateuch

The Rotschild PentateuchThe Rothschild Pentateuch is one of the most elaborate illuminated Hebrew Bibles to survive from the Middle Ages. The manuscript (Ms. 116 (2018.43) dates from 1296 and is one of the most spectacular Hebrew manuscripts to become available in more than a century.

Created by an unknown artist and dated 1296, the manuscript’s pages are filled with lively decorative motifs, hybrid animals and humanoid figures, and astonishing examples of micrography–virtuosic displays of tiny calligraphy in elaborate patterns and designs. The vibrant colours and gleaming gold distinguish this manuscript from most medieval Hebrew book production, which followed a largely textual tradition. It stands apart from other medieval examples through the appeal and extent of its illustrated program. The text contains features that indicate it may have been written in France for Jewish emigres who had been expelled from England in 1290. The illumination was likely completed in France or Germany…

Research brings medieval pilgrimage back to life

Brochure for the st. Thomas Way © Hereford CathedralMedieval scholars at the University of Southampton are helping visitors to the Welsh borders follow in the footsteps of a medieval outlaw and explore the historic route of a remarkable pilgrimage. A new trail is being launched, inspired by the journey made by William Cragh, who was hanged in 1290 but seemingly, miraculously came back to life and then went on a pilgrimage, accompanied by the Norman Lord who’d tried to execute him…

 

 

 

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